Kurgular, kurgular, kurgular…<\/p>\n\n\n\n
Yer Exxen, g\u00f6k Netflix… Ne yana baksan ya d\u00fc\u011f\u00fcm olmu\u015f bir gizem, ya cinayet, ya \u00e7\u00f6z\u00fclemez gibi g\u00f6r\u00fcnen bir ak\u0131l oyunu, ya gelecek tezah\u00fcr\u00fc, ya mizah, ya bilim kurgu… Ama ille de kurgu, hep kurgu, can kurgu… \u00dc\u00e7 kuru\u015f fazla olsun, kurgusu bol olsun. Ne kadar kar\u0131\u015f\u0131k o kadar iyi… Ne kadar tahmin edilemez, o kadar ba\u015far\u0131l\u0131…<\/p>\n\n\n\n
Dijital platformlar sayesinde kurguculuk kendine, kendince bir sanayi olu\u015fturdu \u00e7ok \u015f\u00fck\u00fcr. Yine de ne olursa olsun i\u015fin temel tan\u0131m\u0131nda bir \u201cyarat\u0131c\u0131l\u0131k\u201d ve \u201cyazarl\u0131k meziyeti\u201d var.<\/p>\n\n\n\n
Hik\u00e2yecilik k\u0131ymetli i\u015f… Ne de olsa insan beyni \u00f6r\u00fcnt\u00fclerle \u00e7al\u0131\u015fan bir mekanizma. Yani hik\u00e2yeleri sever. Avlan\u0131rken maruz kald\u0131\u011f\u0131 aslan tehlikesini katiyen unutmaz mesela. Av\u0131n\u0131 aslana kapt\u0131r\u0131p a\u00e7 kalm\u0131\u015fsa ya da can\u0131n\u0131 zor kurtarm\u0131\u015fsa bunu hem anlat\u0131r, hem istemsizce ezberler. \u00c7\u00fcnk\u00fc hayatta kalmaya programl\u0131 beyni onu ya\u015fam yolculu\u011funda tek par\u00e7a sa\u011fl\u0131kl\u0131 tutabilmek i\u00e7in hangi y\u00f6rede hangi aslan\u0131n dola\u015ft\u0131\u011f\u0131n\u0131, hangi avlar\u0131 sevdi\u011fini ve hangi saatlerde ne \u015fekilde ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 tatl\u0131 kurgu (\u00f6r\u00fcnt\u00fc) i\u00e7inde ya\u015fatmaya devam eder… \u00c7\u00fcnk\u00fc insan kurgulamazsa \u00f6l\u00fcr. (Aslan kapar.)<\/p>\n\n\n\n
Bu y\u00fczden beynin \u00f6r\u00fcnt\u00fclerle \u00e7al\u0131\u015f\u0131yor olmas\u0131 l\u00fctuftur, fazlas\u0131yla laz\u0131md\u0131r. G\u00fcn\u00fcm\u00fczde de hik\u00e2yecili\u011fin g\u00fcc\u00fc insan beyninin \u00f6r\u00fcnt\u00fc kabiliyeti sayesinde \u00e7ok g\u00fc\u00e7l\u00fcd\u00fcr hala. Belki art\u0131k \u201caslan\u0131n\u201d oynad\u0131\u011f\u0131 rol\u00fc ebeveynler, karde\u015fler, arkada\u015flar, sosyal \u00e7evre, takip\u00e7iler, \u015firketler, rakipler, markalar ve \u00fcr\u00fcnler alm\u0131\u015ft\u0131r ama kurgu hep ayn\u0131 kurgu, \u00f6r\u00fcnt\u00fc hep ayn\u0131 \u00f6r\u00fcnt\u00fc… Mesele hep hayatta kalmak…<\/p>\n\n\n\n
Dolay\u0131s\u0131yla \u201ckurguculuk\u201d benim tercih etti\u011fim tabiriyle \u201chik\u00e2yecilik\u201d zaten insan beyninin en eski i\u015flevini \u00e7al\u0131\u015ft\u0131rmaya devam ediyor. \u00a0\u0130nsan\u00ee olan her hik\u00e2yenin, i\u00e7inde insan n\u00fcvesi sa\u011flam ve ger\u00e7ek\u00e7i olan her kurgunun, zihnindeki kar\u015f\u0131l\u0131\u011f\u0131 \u00e7ok kuvvetli… Romanlar\u0131n, filmlerin ve di\u011fer b\u00fct\u00fcn kurgular\u0131n insanda hala bir kar\u015f\u0131l\u0131\u011f\u0131n\u0131n olmas\u0131 bu y\u00fczden… Hik\u00e2yecilik elbette de\u011fi\u015fen \u00e7a\u011flara g\u00f6re form de\u011fi\u015ftirebilir ama \u00f6lmez.<\/p>\n\n\n\n
Tam da bu noktada g\u00f6zden ka\u00e7\u0131rmamam\u0131z gereken hayati bir mesele var!<\/p>\n\n\n\n
\u201cDe\u011fi\u015fimi do\u011fru yakalayan hik\u00e2yeciler hayatta kal\u0131rlar sadece<\/em>.\u201d<\/p>\n\n\n\n T\u0131pk\u0131 evrim teorisi gibi… Yeni ya\u015fam ko\u015fullar\u0131na uyumlanabilen canl\u0131lar evrimle\u015fir ve s\u00fcrd\u00fcr\u00fclebilirli\u011fe ula\u015fabilir; aksi halde \u00f6l\u00fcrler.<\/p>\n\n\n\n G\u00fcn\u00fcm\u00fcz\u00fcn hik\u00e2yecili\u011fi de fark\u0131ndaysan\u0131z bir evrimin e\u015fi\u011finde… Dijital d\u00fcnyan\u0131n kurgular\u0131 klasik romanc\u0131l\u0131\u011f\u0131n ya da hik\u00e2yecili\u011fin \u00f6n\u00fcne kocaman bir set \u00e7ekti bile, ge\u00e7mi\u015f olsun.<\/p>\n\n\n\n Okur tan\u0131mad\u0131\u011f\u0131, ismini i\u015fitmedi\u011fi, g\u00fcvendi\u011fi okurlardan referans almad\u0131\u011f\u0131 yeni kurgu kitaplar\u0131 okumaya pek yana\u015fm\u0131yor. G\u00fcn\u00fcm\u00fczde \u00e7ok okunan kurgulara dikkat edin, hepsi okurda referans\u0131 kuvvetli olanlard\u0131r. Yeni kurgucular art\u0131k dijital dizi platformlar\u0131nda… Kitaplar\u0131 satm\u0131yor ama yap\u0131mlar\u0131 izlenme rekorlar\u0131 k\u0131r\u0131yor.<\/p>\n\n\n\n \u201cBu ne yaman \u00e7eli\u015fki\u201d demeyin. Kurgu okumak art\u0131k hem daha pahal\u0131 hem daha uzun soluklu bir i\u015f… Haftalar s\u00fcren zorlu okumalara kar\u015f\u0131l\u0131k daha ucuz maliyetler \u00f6deyerek, daha az zaman harcayarak, \u00fcstelik keyifli ve zengin bir prod\u00fcksiyonla beslenmi\u015f hik\u00e2yeleri keyifle izlemeyi tercih etmek g\u00fcnah de\u011fil…<\/p>\n\n\n\n Ama buna kar\u015f\u0131l\u0131k romanc\u0131l\u0131\u011f\u0131n elinde ne kal\u0131yor o zaman?<\/p>\n\n\n\n Madem kurgular\u0131n en g\u00f6steri\u015flisi dijital platformlarda, romanlar ne s\u00f6yleyecek bundan sonra?<\/p>\n\n\n\n Yeni romanc\u0131l\u0131\u011f\u0131n form de\u011fi\u015ftirmesi gerekti\u011fi art\u0131k a\u015fikar. Bunu tart\u0131\u015fm\u0131yorum bile. \u00dczerinde konu\u015fulmas\u0131 gereken \u015fey “i\u00e7erik”…<\/p>\n\n\n\n Kurgunun romandaki g\u00fcc\u00fcn\u00fc dijital mecralar gasp etti belki ama hala \u00e7ok k\u0131ymetli bir \u015fey daha var kimselerin gasp etmeye g\u00fcc\u00fcn\u00fcn yetmedi\u011fi…<\/p>\n\n\n\n \u0130nsan!<\/em><\/p>\n\n\n\n \u0130nsan\u0131n de\u011ferleri ve duygular\u0131…<\/em><\/p>\n\n\n\n \u0130\u00e7 d\u00fcnyas\u0131, i\u00e7 sesi…<\/em><\/p>\n\n\n\n Yazmak bir his yaratma sanat\u0131d\u0131r. \u0130nsan\u0131 anlamak\u00adla ilgilidir. Hik\u00e2yeler g\u00fcc\u00fcn\u00fc olaylar\u0131n anlat\u0131m\u0131ndaki ustal\u0131klardan dolay\u0131 almazlar. Ne kadar \u00e7ok olay, o kadar iyi hik\u00e2ye anlam\u0131na gelmez. \u0130nsan\u0131 tan\u0131mayandan zaten yazar ma\u00adzar da olmaz bundan sonra.<\/p>\n\n\n\n “Sanat ya\u015fam\u0131n yans\u0131mas\u0131d\u0131r, bir insan ki\u015fili\u011fi a\u00e7\u0131s\u0131ndan do\u011fan\u0131n g\u00f6r\u00fcn\u00fc\u015f\u00fcd\u00fcr, insani olan her \u015feyin sergilenmesidir<\/em>\u201d der Jos\u00e9 Ortega y Gasset, \u201cSanat\u0131n \u0130nsans\u0131zla\u015ft\u0131r\u0131lmas\u0131 ve Roman \u00dcst\u00fcne D\u00fc\u015f\u00fcnceler<\/a>\u201d adl\u0131 kitab\u0131nda ve \u015funu da ekler s\u00f6zlerine. “Bir sanat yap\u0131t\u0131n\u0131 kurtaran \u015fey asla konusu de\u011fildir, t\u0131pk\u0131 bir heykele de\u011ferini veren \u015feyin maddesindeki alt\u0131n olmad\u0131\u011f\u0131 gibi…”<\/em><\/p>\n\n\n\n De\u011fer, gasp edilemeyendir. \u015eimdilik dijitalle\u015ftirilemeyendir.<\/p>\n\n\n\n \u0130nsan n\u00fcvesine b\u00fcy\u00fck k\u0131ymet veren ve insandan ar\u0131nd\u0131r\u0131lm\u0131\u015f her sanat\u0131n i\u00e7inin bo\u015falaca\u011f\u0131na inan \u00e7ok k\u0131ymetli bir hik\u00e2yeci tan\u0131yorum.<\/p>\n\n\n\n Sait Faik Abas\u0131yan\u0131k…<\/p>\n\n\n\n Sait Faik, kurgunun da ger\u00e7ek\u00e7ili\u011fine vurgu yapar her zaman. \u00c7\u00fcnk\u00fc kurgu da ger\u00e7ek\u00e7i olmak zorundad\u0131r ona g\u00f6re. \u0130nsan\u00ee olmak zorundad\u0131r. Bir eseri, ger\u00e7ekli\u011finin verdi\u011fi his kal\u0131c\u0131 k\u0131lar. Nihayetinde romanc\u0131l\u0131k da hik\u00e2yecilik de bir his yaratma sanat\u0131d\u0131r.<\/p>\n\n\n\n Hah! Buna kar\u015f\u0131l\u0131k \u015fiirin g\u00fcc\u00fcn\u00fc nereye dayand\u0131raca\u011f\u0131z diye d\u00fc\u015f\u00fcnebilir insan…<\/p>\n\n\n\n \u015eiir felsefeye yak\u0131nd\u0131r, roman ve hik\u00e2ye ise psikolo\u00adjiye… Yani her ikisi de asl\u0131nda de\u011ferler ve duygular \u00fczerine kuruludur, temelinde insan vard\u0131r ve bu y\u00fczden \u00f6l\u00fcms\u00fczd\u00fcr.<\/p>\n\n\n\n Romanlar g\u00fcn\u00fcm\u00fczdeki de\u011ferlerini art\u0131k kurgular\u0131ndaki zekadan de\u011fil, i\u00e7eri\u011findeki tahlillerin, \u00e7\u00f6z\u00fcmlemelerin, tart\u0131\u015fmalar\u0131n, i\u00e7 seslerin, gelgitlerin ger\u00e7ek\u00e7ili\u011finden ve insan\u00ee olu\u015fundan al\u0131yor.<\/p>\n\n\n\n \u201c\u0130nsan, izleyerek hik\u00e2ye yazamaz<\/em>\u201d der Sait Faik…\u201cYa\u015famad\u0131\u011f\u0131n \u015feyi nas\u0131l yazars\u0131n ki? Yazd\u0131\u011f\u0131n \u015feyin kendi i\u00e7inde bir kar\u015f\u0131l\u0131\u011f\u0131 yoksa yaz\u0131 da \u00e7\u0131kmaz ortaya. Sahte, uydurma bir \u015fey olur o. Kurgulamak, sa\u00e7malamak \u00f6zg\u00fcrl\u00fc\u011f\u00fc vermez yazara. Kurgu\u00adnun ger\u00e7ekli\u011fi yoksa hik\u00e2yeden ya da romandan s\u00f6z edemeyiz. Ya\u015fanm\u0131\u015f bir hik\u00e2yeyi bile ger\u00e7ek\u00e7i yazamayabilirsin mesela. Her \u015fey oldu\u011fu gibi ya\u015fanm\u0131\u015ft\u0131r ama sahici gelmez. Ama \u00f6yle kurgular yapars\u0131n ki, okudu\u011fun kahramanla tan\u0131\u015f\u0131k oldu\u011funu hissedersin<\/em>.\u201d<\/p>\n\n\n\n \u015euras\u0131 yan\u0131lt\u0131c\u0131 olmas\u0131n sak\u0131n…<\/p>\n\n\n\n \u201c\u0130nsan\u00ee\u201d kavram\u0131 yaz\u0131n\u0131n her t\u00fcr\u00fcne dahildir. Bilim kurguya da, fantasti\u011fe de, distopyaya da, gerilime de, mizaha da… Hepsinde insan n\u00fcvesi g\u00fc\u00e7l\u00fc ve ger\u00e7ek\u00e7i oldu\u011funda hik\u00e2yeler ya\u015famaya ba\u015flar. Fantastik yaz\u0131yor olmak s\u0131n\u0131rs\u0131zca sa\u00e7malama \u00f6zg\u00fcrl\u00fc\u011f\u00fc tan\u0131maz. B\u00f6yle d\u00fc\u015f\u00fcnenler hep \u00e7ok yan\u0131ld\u0131lar.<\/p>\n\n\n\n Ursula K. Le Guin\u2019in \u201cinsan\u0131n<\/em> m\u00fclkiyet\u00e7ilik<\/em>\u201d duygusunu sorgulad\u0131\u011f\u0131 \u201cM\u00fclks\u00fczler<\/a>\u201d adl\u0131 roman\u0131na bak\u0131n bakal\u0131m. G\u00fcc\u00fcn\u00fc kurgusundan m\u0131 al\u0131yor dersiniz, yoksa sorgulad\u0131\u011f\u0131 de\u011ferlerin ve duygular\u0131n ger\u00e7ek\u00e7ili\u011finden mi?<\/p>\n\n\n\n Yani hala yazarl\u0131kta insan ustal\u0131\u011f\u0131 \u015fart mirim!<\/p>\n\n\n\n Bu i\u015fin kolay\u0131 yok.<\/p>\n\n\n\n \u201cAkl\u0131ma \u00e7ok zekice bir kurgu geldi\u201d demek hi\u00e7bir zaman kafi de\u011fildi zaten, yine olmayacak…<\/p>\n\n\n\n \u0130nsan m\u00fchendisli\u011fini bilmeyenin, eserlerinde s\u00fcrd\u00fcr\u00fclebilirli\u011fi yakalamas\u0131 m\u00fcmk\u00fcn de\u011fil. S\u00fcrd\u00fcr\u00fclebilirlik meselesinin sat\u0131\u015f rakamlar\u0131yla ya da izlenme oranlar\u0131yla kar\u0131\u015ft\u0131r\u0131lmamas\u0131 gerekti\u011fi konusuna hi\u00e7 ama hi\u00e7 de\u011finmeyece\u011fim \u00e7\u00fcnk\u00fc \u00e7ok yorucu…<\/p>\n\n\n\n Ben de\u011ferlerin ve duygular\u0131n yaz\u0131l\u0131 eserlerdeki inkar edilemez g\u00fcc\u00fcnden s\u00f6z etmek istiyorum. \u00d6lmeyen kahramanlar\u0131n bu g\u00fcc\u00fc nereden ald\u0131klar\u0131na bakmak istiyorum…<\/p>\n\n\n\n \u201cK\u0131skan\u00e7l\u0131k\u201d duygusu mesela…<\/p>\n\n\n\n Ne b\u00fcy\u00fck ve ne g\u00fc\u00e7l\u00fc bir his…<\/p>\n\n\n\n Ba\u015fl\u0131 ba\u015f\u0131na bir eser i\u00e7eri\u011fi…<\/p>\n\n\n\n