{"id":3044,"date":"2021-11-08T15:30:00","date_gmt":"2021-11-08T12:30:00","guid":{"rendered":"https:\/\/destekdukkan.com\/blog\/?p=3044"},"modified":"2021-11-10T15:31:34","modified_gmt":"2021-11-10T12:31:34","slug":"tum-iyi-romanlar-coktan-yazildi-mi","status":"publish","type":"post","link":"https:\/\/destekdukkan.com\/blog\/tum-iyi-romanlar-coktan-yazildi-mi","title":{"rendered":"T\u00fcm iyi romanlar \u00e7oktan yaz\u0131ld\u0131 m\u0131?"},"content":{"rendered":"\n

Bir yay\u0131nc\u0131 olarak s\u0131k\u00e7a kar\u015f\u0131la\u015ft\u0131\u011f\u0131m sorulardan bir tanesi de \u015fu; \u201cNeden roman dosyalar\u0131na gereken \u00f6nemi vermiyorsunuz?\u201d Elbette kendi ya\u011f\u0131yla kavrulan yay\u0131nc\u0131lar bast\u0131\u011f\u0131 eserlerin sat\u0131\u015f\u0131n\u0131n olmas\u0131n\u0131 bekliyor. Herhangi bir devlet deste\u011fi olmad\u0131\u011f\u0131 i\u00e7in her yay\u0131nc\u0131 bunu d\u00fc\u015f\u00fcnmek zorunda kal\u0131yor.<\/p>\n\n\n\n

As\u0131l soru \u015fu olmal\u0131 burada: “Roman sat\u0131\u015flar\u0131 neden tepetaklak a\u015fa\u011f\u0131ya do\u011fru gidiyor?”<\/p>\n\n\n\n

Elbette bunun birka\u00e7 tane sebebi var.<\/p>\n\n\n\n

Sorular\u0131n cevab\u0131na ge\u00e7meden \u00f6nce \u201croman\u201d\u0131n \u00e7\u0131k\u0131\u015f\u0131na ve tarihsel s\u00fcrecine bir bakmak gerekiyor.<\/p>\n\n\n\n

Edebiyatta roman sanat\u0131n\u0131n ortaya \u00e7\u0131kmas\u0131 \u201cAyd\u0131nlanma \u00c7a\u011f\u0131\u201d ile ba\u015fl\u0131yor.<\/p>\n\n\n\n

H\u00fcmanizm felsefesinden beslenme diyebiliriz \u201cAyd\u0131nlanma \u00c7a\u011f\u0131\u201d i\u00e7in.<\/p>\n\n\n\n

Her \u015fey insan i\u00e7in\u2026<\/p>\n\n\n\n

Sanat felsefenin beden bulmu\u015f halidir.<\/strong><\/p>\n\n\n\n

Ayd\u0131nlanma felsefesi demek, temelinde insan olan bir anlay\u0131\u015f ve her \u015feyi merak eden insan demektir. Sanat\u0131n, felsefenin, bilimin insan temeli \u00fczerinden \u015fekillenmesidir.<\/p>\n\n\n\n

Co\u011frafyada, fizikte, matematikte, m\u00fchendislik biliminde her \u015feyde k\u0131sacas\u0131… Merak ana unsur olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r. \u00c7a\u011f\u0131m\u0131z\u0131n \u00e7\u00fcr\u00fcmesinin en temel \u00f6zelli\u011fini \u201cyeni ayd\u0131nlanmac\u0131lar\u201d insandaki merak\u0131n kaybolmas\u0131yla a\u00e7\u0131kl\u0131yorlar.<\/p>\n\n\n\n

Bilimde, felsefede merak edebiyatta insan\u0131n i\u00e7ine do\u011fru, benli\u011finin ve onun toplumsal yans\u0131mas\u0131n\u0131n merak\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.<\/p>\n\n\n\n

\u015eimdi, merak ve insan\u0131 bu kadar kaybetmi\u015fken, roman sanat\u0131ndan bahsedebilir miyiz?<\/p>\n\n\n\n

\u201c\u0130yi sanat ya da ger\u00e7ek sanat insan\u0131 insana g\u00f6sterir, insan\u0131 insan \u00fcst\u00fcnde bilin\u00e7li k\u0131lar\u201d<\/em> der Af\u015far Timu\u00e7in, Estetik<\/a> adl\u0131 yap\u0131t\u0131nda.<\/p>\n\n\n\n

Edebiyat\u0131n bir dal\u0131 olan roman sanat\u0131 ayd\u0131nlanma \u00e7a\u011f\u0131yla birlikte do\u011fmu\u015ftur dedik.<\/p>\n\n\n\n

\u0130lk \u00f6rneklerinden diyebilece\u011fimiz Robinson Crusoe ve Don Ki\u015fot insan\u0131n birey olarak ortaya \u00e7\u0131kmas\u0131d\u0131r.<\/p>\n\n\n\n

\"\"
Don Ki\u015fot ve Sancho Panza<\/figcaption><\/figure><\/div>\n\n\n\n

Roman insan\u0131n derinliklerinin arkeolojisini yapmakt\u0131r. \u0130ki insan aras\u0131ndaki ili\u015fkidir. \u0130ki insan aras\u0131ndaki tutkunun, nefretin, dostlu\u011fun arkada\u015fl\u0131\u011f\u0131n d\u0131\u015fa yans\u0131mas\u0131d\u0131r.<\/p>\n\n\n\n

K\u0131rm\u0131z\u0131 ve Siyah<\/a>\u2019taki Julien Sorel\u2019i hat\u0131rlayal\u0131m, Su\u00e7 ve Ceza<\/a>\u2019daki Raskolnikov\u2019u hat\u0131rlayal\u0131m, Oblomov<\/a>\u2019u hat\u0131rlay\u0131m ne demek istedi\u011fimi anlayacaks\u0131n\u0131z.<\/p>\n\n\n\n

Roman bir karakter yaratma sanat\u0131d\u0131r.<\/strong><\/p>\n\n\n\n

Karakterden bahsedince do\u011fal olarak, g\u00fcn\u00fcm\u00fcz\u00fcn insan\u0131n\u0131n karakter yok olu\u015funa da girmek zorunda kal\u0131yoruz. Yerimiz dar oldu\u011fundan bu konuyla ilgili, Richard Sennett\u2019in “Karakter A\u015f\u0131nmas\u0131” kitab\u0131n\u0131 \u00f6neriyorum. \u201cKarakter, kendi arzular\u0131m\u0131za ve di\u011fer insanlarla aram\u0131zdaki ili\u015fkilere y\u00fckledi\u011fimiz etik de\u011ferler b\u00fct\u00fcn\u00fcd\u00fcr.\u201d<\/em> Karakter a\u015f\u0131nd\u0131\u011f\u0131nda, romanda da karakter yaratmak imkans\u0131z hale geliyor.<\/p>\n\n\n\n

K\u0131saca romandan bahsettikten sonra gelelim bug\u00fcnk\u00fc sorunlara. Roman sanat\u0131n\u0131n neden geriye gitti\u011fine.<\/p>\n\n\n\n

\u0130nsan\u0131n kendi benli\u011finden ve di\u011fer insanlardan kopmas\u0131, a\u015f\u0131r\u0131 narsisitle\u015fmi\u015f bireylerin ortaya \u00e7\u0131kmas\u0131, insan\u0131n kendisini bir ba\u015fkas\u0131 ile tarifinden, kendini kendisiyle tarif etme yan\u0131lg\u0131s\u0131na d\u00fc\u015fmesi teorik olarak roman sanat\u0131n\u0131 da geriye g\u00f6t\u00fcrm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n

Geriye kalan macera ve s\u00fcr\u00fckleyicilik ise onu da sinema ve diziler yazar\u0131n elinden alm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Uzun y\u0131llard\u0131r i\u00e7i bo\u015falt\u0131lm\u0131\u015f, sahte yazarlar\u0131n yazd\u0131\u011f\u0131 roman\u0131ms\u0131 \u015feyler de okuyucuya art\u0131k b\u0131kk\u0131nl\u0131k getirmi\u015ftir.<\/p>\n\n\n\n

Peki, hi\u00e7 mi okunacak eser ortaya \u00e7\u0131km\u0131yor? Elbette ki hay\u0131r. <\/p>\n\n\n\n

\u015eimdi \u00f6neriler k\u0131sm\u0131na ge\u00e7ebiliriz.<\/p>\n\n\n\n

Benim son on y\u0131l i\u00e7erisinde severek okudu\u011fum baz\u0131 romanlardan bahsedece\u011fim.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Lizbon\u2019a Gece Treni<\/em>, Pascal Mercier <\/strong><\/p>\n\n\n\n

Uzun uzad\u0131ya kitaptan bahsedecek de\u011filim ama temelinde, Portekiz\u2019de Salazar Fa\u015fizmi d\u00f6neminde devrimci bir doktorun, d\u00f6nemin en \u00f6nde gelen i\u015fkencecisinin kap\u0131s\u0131n\u0131n \u00f6n\u00fcnde vurulmas\u0131n\u0131 anlat\u0131yor. Bir insan olarak yard\u0131ma muhta\u00e7 bir insana yard\u0131m m\u0131 etmeli, yoksa kendisi de dahil b\u00fct\u00fcn devrimcilere i\u015fkence yapm\u0131\u015f olan bu adam\u0131 \u00f6l\u00fcme mi terk etmeli? \u0130\u015fte insan\u0131n i\u00e7indeki derinliklerinde yatan \u00e7eli\u015fkilerin, sorunlar\u0131n romana d\u00f6n\u00fc\u015fmesi\u2026<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Talebe<\/a><\/em>, Tara Westover<\/strong><\/p>\n\n\n\n

Ger\u00e7ek bir ya\u015fanm\u0131\u015fl\u0131ktan yola \u00e7\u0131kan roman, Amerikan\u2019\u0131n en gerici toplulu\u011fu olan Mormon bir ailede do\u011fan ve oradan normal hayata \u00e7\u0131k\u0131\u015f\u0131n\u0131 anlatan bir hikaye.<\/p>\n\n\n\n

Napoli D\u00f6rtlemesi<\/a><\/em> (<\/b>Benim Ola\u011fan\u00fcst\u00fc Ak\u0131ll\u0131 Arkada\u015f\u0131m<\/em>, <\/b>Yeni Soyad\u0131n\u0131n Hikayesi<\/em>, <\/b>Terk Edenler ve Kalanlar<\/em>, <\/b>Kay\u0131p K\u0131z\u0131n Hikayes<\/b><\/em>i)<\/strong><\/em>, Elena Ferrante<\/strong><\/p>\n\n\n\n

Napoli sokaklar\u0131nda hem iki insan aras\u0131ndaki ili\u015fkiyi, hem de 30 y\u0131l\u0131 a\u015fk\u0131n bir d\u00f6nemde Napoli\u2019nin ve \u0130talya\u2019n\u0131n kabuk de\u011fi\u015ftiren y\u00fcz\u00fcn\u00fc anlat\u0131yor. <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Middlesex<\/a><\/em>, Jeffrey Eugenides<\/strong><\/p>\n\n\n\n

Bursa\u2019n\u0131n bir Rum k\u00f6y\u00fcnde ba\u015flayan hik\u00e2ye, iki karde\u015fin evlenmesini ve sonras\u0131nda torunlar\u0131n\u0131n hermafrodit olarak d\u00fcnya gelmesini hik\u00e2yele\u015ftiriyor. Hermafrodit olan \u00e7ocu\u011fun geriye giderek, hem tarihi hem insanlar\u0131 hem de Amerika\u2019n\u0131n kabuk de\u011fi\u015ftiren tarihini, insan\u0131n ruhunun derinliklerine inerek sorguluyor.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bir yay\u0131nc\u0131 olarak s\u0131k\u00e7a kar\u015f\u0131la\u015ft\u0131\u011f\u0131m sorulardan bir tanesi de \u015fu; \u201cNeden roman dosyalar\u0131na gereken \u00f6nemi vermiyorsunuz?\u201d Elbette kendi ya\u011f\u0131yla kavrulan yay\u0131nc\u0131lar bast\u0131\u011f\u0131 eserlerin sat\u0131\u015f\u0131n\u0131n…<\/p>\n","protected":false},"author":13,"featured_media":3050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[175,173,55,174,166,170,169,171,151,168,172],"_links":{"self":[{"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/posts\/3044"}],"collection":[{"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/comments?post=3044"}],"version-history":[{"count":7,"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/posts\/3044\/revisions"}],"predecessor-version":[{"id":3061,"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/posts\/3044\/revisions\/3061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/media\/3050"}],"wp:attachment":[{"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/media?parent=3044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/categories?post=3044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/destekdukkan.com\/blog\/wp-json\/wp\/v2\/tags?post=3044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}